Digital Photography and Imaging - Week 6

 PHOTOGRAPHY/WEEK 6

Low Li Vern (0362678)
Digital Photography and Imaging
Bachelor of Design (Hons) in Creative Media
Week 6 / Exercise


LECTURE

INTRO
  • The principles of design are the rules a designer must follow to create an effective and attractive composition. The fundamental principles of design are: Emphasis, Balance and Alignment, Contrast, Repetition, Proportion, Movement and White Space.
  • A design doesn’t have to strictly follow these rules to be “good.” Some absolutely mind-blowing designs ignore one or more of the principles of design in order to create an eye-catching and effective work.
THE 7 PRINCIPLES OF POSTER DESIGN
  • Emphasis: The principles of design are the rules a designer must follow to create an effective and attractive composition. The fundamental principles of design are: Emphasis, Balance and Alignment, Contrast, Repetition, Proportion, Movement and White Space.
  • Balance and Alignment: The principles of design are the rules a designer must follow to create an effective and attractive composition. 
  • Contrast: What people mean when they say a design “pops.” It comes away from the page and sticks in your memory. Contrast creates space and difference between elements in your design. Your background needs to be significantly different from the color of your elements so they work harmoniously together and are readable.
  • Repetition: If you limit yourself to two strong typefaces or three strong colors, you’ll soon find you’ll have to repeat some things. That’s ok! It’s often said that repetition unifies and strengthens a design. If only one thing on your band poster is in blue italic sans-serif, it can read like an error. If three things are in blue italic sans-serif, you’ve created a motif and are back in control of your design.
  • Proportion: The visual size and weight of elements in a composition and how they relate to each other. It often helps to approach your design in sections, instead of as a whole.
  • Movement is controlling the elements in a composition so that the eye is led to move from one to the next and the information is properly communicated to your audience. Movement creates the story or the narrative of your work.
  • White space: The only one that specifically deals with what you don’t add. White space is exactly that—the empty page around the elements in your composition. For beginning designers it can be a perilous zone. Often simply giving a composition more room to breathe can upgrade it from mediocre to successful.


INSTRUCTIONS

WEEK 6 Practical
During our learning process, we were introduced to a fascinating and unique function in Photoshop known as a displacement map. This feature involves creating a grayscale version of an image, where the colors, highlights, and shadows are simplified into shades of gray. By utilizing a displacement map, we can add new elements to an image that seamlessly follow the contours and texture of the original picture.

Fig 6.1 fabric

Fig 6.2 Malaysia flag

Fig 6.3 Malaysia flag on fabric

Fig 6.4 Girl

Fig 6.5 Logo

Fig 6.6 Logo on girl face practical

Fig 6.7 Sphynx

Fig 6.8 fur

Fig 6.9 Sphynx with fur

To reinforce our understanding of this function, we were assigned various exercises to practice its application. These exercises allowed us to explore the creative possibilities offered by displacement maps and further develop our skills in utilizing this distinctive Photoshop feature.


THE END


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